While the Panafrican Film and TV Festival of Ouagadougou was a triumph for Senegalese filmmakers - they got both Gold, Bronze and Best actor's awards - Dakar and Paris-based VOD portal AfricaFilms.tv announced some significant deals from the event. Sylvain Beletre talked to Enrico Chiesa, CEO, AfricaFilms.tv.
African countries will need satellite help to meet the ITU’s 2015 digital switchover deadline.
With only two years left to switch to digital TV, it is highly unlikely that the 2015 ITU Goal will be reached across the continent without the help of satellite broadcast. Sylvain Béletre talked to Aymeric Genty, Sales Director at Eutelsat for France, West and Central Africa who has high expectations on the African broadcast TV market. According to Genty, the technology is ready for any country in Africa to switch to digital TV across its whole territory.
Distribution has always been a real headache for film producers globally but even more so in Africa due to lack of reliable, non-pirate distribution channels. With Fespaco 2013 about to start, VoD is emerging as a serious alternative distribution channel for African producers. Balancing Act’s broadcast analyst
Sylvain Beletre interviewed Marie Lora-Mungai, Founder and CEO, Buni TV and Enrico Chiesa, President of AfricaFilms.tv (AFTV) about their plans.
There are a few news agencies out there who keep an eye on the African continent but few of them are 100% focused on just the whole African continent. The recent success of Afrik.tv shows that there was a gap in the market for fresh and professional video reports across the region.
In 2012, the Pay TV market became a great deal more competitive but with DStv Multichoice having acquired most of the existing exciting content, the challenge has been for challengers to come up with different content. This week saw one of the challengers (Zuku TV) sell one of the series it has commissioned – Tales from the Bush Larder – to Fox International.
The African satellite broadcast market has always been extremely stable. Until recently, there were few customers (of which DStv was the largest) and few operators. Contracts were long-term and compared to satellite sales in the telecoms and satellite sectors, prices were high and relatively stable. Russell Southwood reports on the changes that might happen in 2013 with new challengers.
Dear Readers, Clients and Advertisers
2012 has been a year without spectacular, new announcements and indeed the conclusions of several imminent ones has been delayed. So it seems like something of a holding year…
However, the continent’s leading TV market DISCOP came back with a bang in Johannesburg in the autumn. The Sandton Convention Centre allowed almost all exhibitors to be in one hall and the conference alongside had many meaty sessions that were well attended. It will also be in Johannesburg in 2013 and we look forward to seeing you all there.
Rapid Blue is an independent TV production house with headquarters in South Africa and branches in Nigeria and Angola. In terms of turnover, it is probably one of the top 3 production and digital media companies in South Africa. In an interview with Balancing Act's Sylvain Beletre, Duncan Irvine (Rapid Blue CEO) and Brett Levy (MD Rapid Blue Digital said that there was an abundance of content opportunities on the continent.
In Africa, the success of one venture is always the spur to many others launching in the same space. The high profile investment in Nigeria’s iROKO Partners seems to have driven interest in the VOD space and more launches have followed. But not all African VOD platforms are the same. Last week saw the launch of a South African platform Wabona.com. Russell Southwood spoke Wabona’s Simbarashe Mabasha and tries to understand what makes the VOD platforms different.
DISCOP Africa 2012 came back with a bang after something of a dip last year in its new venue in Johannesburg, attracting 1,248 delegates from 85 different countries. It is the one place where you can get to meet more or less anyone who’s anyone in the African TV industry. But the excitement is generated by watching new African content being born and struggling to find its place in the sun. Russell Southwood rounds up what he saw and heard last week while in attendance.