VoD platforms in Africa will be a key driver of the next spike in bandwidth capacity
This week Balancing Act is publishing a report on VoD platforms in Africa. Operators need to understand that all the evidence points to VoD platforms meeting a need that up until this point has been met by pirated DVDs. There is now a bewildering array of film and music platforms in particular. Russell Southwood looks at how things are changing now that high speed bandwidth is increasingly available in African countries.
Two conversations have stuck in my mind this week as I finished editing VoD in Africa - A review of existing VoD services, their challenges and opportunities in 2013:
1. The myth that Africans don’t buy content: An executive who works in francophone Africa told me that when he goes to buy USB sticks, the retailer always asks: does he want it filled up with movies for just a little bit more money? In almost any market anywhere in Africa, there are pirated CDs that sell for a few dollars and these attract weekly customers. A pirate market is one operating at prices customers can afford.
In the absence of cinemas, this is probably one of the cheapest forms of entertainment available short of home brewed drinks, and can be sampled at home or in video booths alongside bars. The only question is whether these buyers of pirate videos will be willing to pay the same or slightly more to receive better quality, legal downloads? The logic says yes and there is some early evidence to back this up. But social habits change less quickly than technology as the variable pattern of m-money uptake across the continent illustrates.
2. Once the bandwidth is there, demand for VoD and other online video services will shoot up: The CEO of one of the companies supplying bandwidth told me that once reliable high-speed bandwidth is in place, demand for online video services will explode.
In Kenya – which has one of the better bandwidth speeds – a You Tube clip plays for a number of minutes and then buffers. This acts as a break on anyone wanting to watch a feature film. Open that throttle and give reliable bandwidth and the demand will grow.
The more challenging aspect of this problem is that there are still high levels of data congestion in operator networks. Following a pattern I have observed for nearly 14 years, operators wait for demand to saturate their networks before investing. They also have fears that they will not get the required return they need on the comprehensive overhaul many of these networks need to make them ready for streaming and downloads.
Although we know of several operators who have spoken of rolling out VoD platforms in their larger markets, the launch dates for these roll-outs have simply been pushed back and back. The suspicion must be that they are not yet ready for what needs to be a wholesale commitment of this kind. We hope they prove us wrong but we’re not holding our breathe.
In the meantime, there are more film and video platforms than you can shake a stick at, popping up, particularly in the main content markets of Africa. There is a video briefing that looks at three of these platforms at the end of this article. Some of these have a very high chance of success and others will probably fall by the wayside. The high profile attention lavished on iROKO means that international players are beginning to express more interest in Africa and offer more African VoD content.
Anyone who wants to participate in this opportunity needs to know who is out there, what content they have access to (whether they have rights to it) and how many users they have attracted. If you thought the SMS ecosystem was complicated, then the VoD ecosystem shares some of that complexity. Key players are still acting on guesses, intuitions and feelings, without much market data and comprehensive research.
Some of the findings are fascinating and unexpected. Unfortunately and despite recent efforts, the African audiovisual market is not well documented. There's so little real research available on this market – especially on the emerging VoD segment - that this piece of research should prove invaluable. Key players in the VoD segment need to be ready for VoD uptake in the years to come.
To look at a full contents page for the report, click on the link here:
A video briefing on mobile music and film platforms in Africa
Chike Maduegbuna on Afrinolly, a Pan-African film and music mobile platform
Ghana's Juliet Asante on launching a new mobile content platform Mobilefliks
Tim Rimbui, Innovative Music on the launch of online music platform Waabeh.com
A video briefing on African brands using social media to engage with users:
Ross Haddow, Guinness Africa on how it uses social media and the future of social media in Africa
Shahzad Khan, OgilvyOne on its Nigerian social media campaign for Airtel, Half Dollar
Start-up video briefings this week:
Kahenya Kamunyu, Able Wireless on his low-cost Kenyan video streaming service using a Raspberry Pi
John Paul Barreto talks about Tanzanian ICT co-creation space Kinu
Delivering Rural Broadband – Models that work
Kobus Roux, CSIR on getting rural schools connected using Wi-Fi mesh
Osama Manzar, Digital Empowerment Foundation on delivering broadband in rural India
Think before you launch an app – User-based research essential:
Mark Kamau, UX Lab on how research with users can overcome barriers to mobile apps adoption
TV White Spaces Briefing from Dakar event sponsored by Google and Microsoft:
Paul Mitchell explains Microsoft's TV White Spaces pilots and why it thinks TVWS is important
Kai Wulff on Google's TV White Spaces pilots and why they are important for developing countries
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