The rise of VoD platforms in Africa – rumours abound of major announcements

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This week Balancing Act is publishing a report on VoD platforms related to Africa.

 

Operators need to understand that all the evidence points to VoD platforms meeting a need that up until this point has been met by pirated DVDs. Rumours abound that two large operators will announce VoD services at AfricaCom next week. Russell Southwood looks at how things are changing now that high speed bandwidth is increasingly available in African countries.

Two conversations have stuck in my mind this week as I finished editing VoD in Africa - A review of existing VoD services, their challenges and opportunities in 2013:


1. The myth that Africans don’t buy content: An executive who works in francophone Africa told me that when he goes to buy USB sticks, the retailer always asks: does he want it filled up with movies for just a little bit more money? In almost any market anywhere in Africa, there are pirated CDs that sell for a few dollars and these attract weekly customers. A pirate market is one operating at prices customers can afford.



In the absence of cinemas, this is probably one of the cheapest forms of entertainment available short of home brewed drinks, and can be sampled at home or in video booths alongside bars. The only question is whether these buyers of pirate videos will be willing to pay the same or slightly more to receive better quality, legal downloads? The logic says yes and there is some early evidence to back this up. But social habits change less quickly than technology as the variable pattern of m-money uptake across the continent illustrates.



2. Once the bandwidth is there, demand for VoD and other online video services will shoot up: The CEO of one of the companies supplying international bandwidth told me that once reliable high-speed bandwidth is in place, demand for online video services will explode.
In Kenya – which has one of the better bandwidth speeds – a You Tube clip plays for a number of minutes and then buffers. This acts as a break on anyone wanting to watch a feature film. Open that throttle and give reliable bandwidth and the demand will grow.

The more challenging aspect of this problem is that there are still high levels of data congestion in operator networks. Following a pattern I have observed for nearly 14 years, operators wait for demand to saturate their networks before investing. They also have fears that they will not get the required return they need on the comprehensive overhaul many of these networks need to make them ready for streaming and downloads.



Here at DISCOP this week, there are plentiful rumours of major operators making an announcement that they will launch a VoD platform. In the meantime, there are more film and video platforms than you can shake a stick at, popping up, particularly in the main content markets of Africa. There is a video briefing that looks at three of these platforms at the end of this article. Some of these have a very high chance of success and others will probably fall by the wayside. The high profile attention lavished on iROKO means that international players are beginning to express more interest in Africa and offer more African VoD content.



Anyone who wants to participate in this opportunity needs to know who is out there, what content they have access to (whether they have rights to it) and how many users they have attracted. If you thought the SMS ecosystem was complicated, then the VoD ecosystem shares some of that complexity. Key players are still acting on guesses, intuitions and feelings, without much market data and comprehensive research.



Some of the findings are fascinating and unexpected. Unfortunately and despite recent efforts, the African audiovisual market is not well documented. There's so little real research available on this market – especially on the emerging VoD segment - that this piece of research should prove invaluable. Key players in the VoD segment need to be ready for VoD uptake in the years to come.


To look at a full contents page for the report, click on the link here:

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A video briefing on mobile music and film platforms in Africa
Chike Maduegbuna on Afrinolly, a Pan-African film and music mobile platform
Ghana's Juliet Asante on launching a new mobile content platform Mobilefliks
Tim Rimbui, Innovative Music on the launch of online music platform Waabeh.com

The First Global Online Premiere of an African Film – the shape of the future?

Obi Emelonye on the online global premiere of his latest film Onye Ozi (The Messenger)

New Films from the African Film Festival of Cordoba
Arya Lalloo on the documentary Jeppe On A Friday - Day in the life of a South African neighbourhood
Haminiaina Ratovoarivony on his first movie Legends of Madagascar, a road movie about Madagascar

New South African Film and TV at MIPCOM

Marc Schwinges on Leli Maki's film Impepho about a South African women's journey to being a sangoma
South African Brian Mitchell Jnr on the film about his boxer father & the only man who beat him
Kai Wulff on Google's TV White Spaces pilots and why they are important for developing countries
Paul Mitchell explains Microsoft's TV White Spaces pilots and why it thinks TVWS is important